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Early Irish literature, is commonly dated from the 8th or 9th to the 15th century, a period during which modern literature in Irish began to emerge. It stands as one of the oldest vernacular literature in Western Europe, with its roots extending back to late antiquity, as evident from inscriptions utilizing both Irish and Latin found on Ogham stones dating as early as the 4th century.
The three main manuscript sources for Irish mythology are the late 11th/early 12th century Lebor na hUidre (Book of the Dun Cow), which is in the library of the Royal Irish Academy, and is the oldest surviving manuscript written entirely in the Irish language; the early 12th-century Book of Leinster, which is in the Library of Trinity College ...
This was to have a profound effect on Irish-language literature, poetry included. [1] The earliest Irish poetry was unrhymed, and has been described as follows: "It is alliterative syllabic verse, lyric in form and heroic in content, in praise of famous men, or in lament for the death of a hero". [1]
Irish literature is literature written in the Irish, Latin, English and Scots (Ulster Scots) languages on the island of Ireland.The earliest recorded Irish writing dates from back in the 7th century and was produced by monks writing in both Latin and Early Irish, including religious texts, poetry and mythological tales.
The Silver Branch or Silver Bough (Irish: An Craobh Airgid) is a symbol found in Irish mythology and literature. Featured in the Irish poem The Voyage of Bran and the narrative Cormac's Adventure in the Land of Promise, it represents entry into the Celtic Otherworld or Tír na nÓg.
Eochaid mac Eirc - High King of Ireland, the last Fir Bolg king and the first king to establish a system of justice; Fiacha Cennfinnán - High King of Ireland; Fodbgen - High King of Ireland; Gaillimh iníon Breasail - mythical woman from whom the river and city of Galway derive their name; Gann and Genann - joint High Kings of Ireland
The Celtic Revival (also referred to as the Celtic Twilight [1]) is a variety of movements and trends in the 19th, 20th and 21st centuries that see a renewed interest in aspects of Celtic culture. Artists and writers drew on the traditions of Gaelic literature , Welsh-language literature , and Celtic art —what historians call insular art (the ...
Robert Welch and Bruce Stewart, The Oxford Companion to Irish Literature; Eleanor Knott, The bardic poems of Tadhg Dall Ó Huiginn (1550–1591),An introduction to Irish syllabic poetry of the period 1200–1600 with selections, notes and glossary (Cork, 1928),Irish classical poetry commonly called bardic poetry (Dublin, 1957). Knott, Eleanor.