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This early painting by Claude shows Joseph, Mary, and Jesus fleeing the massacre in Bethlehem. In a prefiguration of his future role, the infant Jesus holds the donkey's reins. Although the trio is escaping a slaughter, Claude depicted them in a serene setting.
Ivanov's painting "Christ's Appearance to Mary Magdalene after the Resurrection" (lithograph, 1862) The painting, entitled Christ's Appearance to Mary Magdalene, was completed in December 1835 and exhibited in the artist's studio. One of the visitors was the writer Alexei Timofeev, who offered the following commentary on the painting: "‘The ...
Jesus has cut his hand on an exposed nail, symbolizing the stigmata and foreshadowing Jesus's crucifixion. Some of the blood has fallen onto his foot. As Jesus's grandmother, Anne, removes the nail with a pair of pincers, his concerned mother, Mary, offers her cheek for a kiss. Joseph examines Jesus's wounded hand.
The Mays were a series of paintings in 17th and early 18th century Paris. They were commissioned by the goldsmiths' guild of Paris to offer to the cathedral of Notre-Dame de Paris in the early days of the month of May. The tradition began in 1630 and one painting was offered each year between then and 1707, with the exception of 1683 and 1694.
It depicts the Virgin Mary, surrounded by angels and crowned with the circle of stars. [1] She is shown trampling a snake, representing her victory over the devil. The lilies and the rose are references to hortus conclusus ("enclosed garden"), and symbolize Mary's love, virginity and purity. The painting is now in the Prado Museum, Madrid. [3 ...
S. Saints Dominic and Francis Saving the World from Christ's Anger; Self-Portrait with Halo and Snake; Serpent Cave; The Serpent Chooses Adam and Eve
[n 1] It depicts Saint Anne, her daughter the Virgin Mary and the infant Jesus. [1] Christ is shown grappling with a sacrificial lamb symbolizing his Passion as the Virgin tries to restrain him. The painting was commissioned as the high altarpiece for the Church of Santissima Annunziata in Florence and its theme had long preoccupied Leonardo.
The Holy Family is a 1518 painting of the Holy Family (Jesus, Mary and Joseph), Saint Elisabeth, an infant John the Baptist and two angels. [1] It is signed by Raphael, but most of the work was delegated to his workshop assistants. It was commissioned by Pope Leo X as a gift to Claude, wife of Francis I of France, hence its name.
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