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Low bridge, everybody down Low bridge, cause we're coming' to a town. You'll always know your neighbor. And you'll always know your pal. If ya ever navigated on the Erie Canal Low bridge, everybody down Low bridge, we're coming' to a town. You'll always know your neighbor. And you'll always know your pal. If ya ever made a living' on the Erie Canal
S M Sadiq in Chandigarh, Punjab, India in 2002. Sheikh Muhammad Sadiq (Urdu: شیخ محمد صادق) or S M Sadiq is a Pakistani lyricist and a poet whose written songs frequently have been sung by Ustad Nusrat Fateh Ali Khan, and other singers like Attaullah Khan Esakhelvi, Aziz Mian, Shabnam Majeed, Shahid Ali Khan and Arif Lohar.
Hafeez Jalandhari was unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally dealt with romantic, religious, patriotic and natural themes. His language was a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia. [3]
Like all people from his generation, Alamgir was raised listening to songs by bands like ABBA and Boney M. He would do renditions of popular new wave songs in Urdu. In 1973, influenced by disco and funk, Alamgir sang Albela Rahi, an Urdu song literally translated from a famous Cuban hit originally in Spanish. Alamgir brought a new form of music ...
Swing low, sweet chariot. Coming for to carry me home. If you get there before I do. Coming for to carry me home. Tell all my friends I'm coming too. Coming for to carry me home. Swing low, sweet ...
Loba is a dramatic form of Pashto folk song, often a dialogue that tells romantic stories or allegorical tales. Shaan is a celebratory song performed during significant life events, such as marriages or the birth of a child. Badala, is an epic poem set to music and accompanied by instruments like the harmonium, drums, and tabla.
Dhaani, the first song of the album is a blend of Faisal's groovy voice and Bilal Maqsood's guitars. Next in line is "Najane Kyun". It's a soft number, which gives the signature sound of Strings followed by "Kahani Mohabat ki" and "Mera Bichara Yaar". Sohniye", a unique and extremely jumpy number, is a treat to listen to.
Taan (Hindi: तान, Urdu: تان) is a technique used in the vocal performance of a raga in Hindustani classical music.It involves the improvisation of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets at improvising and to expand weaving together the notes in a fast tempo.