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This system is more abstract one than the previous one. It does not refer to how an individual work shapes space but how it is conventionally done by a given epoch, genre, etc. So, for instance, one of the main features of Gothic novels are elements of the supernatural and the sublime, [8] therefore, texts are full of ghosts, vampires and so on ...
The term itself comes from the Russian xронотоп, which in turn is derived from the Greek χρόνος ('time') and τόπος ('space'); it thus can be literally translated as "time-space." Bakhtin developed the term in his 1937 essay "Forms of Time and of the Chronotope in the Novel" (« Формы времени и хронотопа ...
Personal narrative (PN) is a prose narrative relating personal experience usually told in first person; its content is nontraditional. [1] "Personal" refers to a story from one's life or experiences. "Nontraditional" refers to literature that does not fit the typical criteria of a narrative.
Confessional writing is a literary style and genre that developed in American writing schools following the Second World War. [1] [2] A prominent mode of confessional writing is confessional poetry, which emerged in the 1950s and 1960s.
In 1959 M. L. Rosenthal first used the term "confessional" in a review of Robert Lowell's Life Studies entitled "Poetry as Confession". [6] Rosenthal differentiated the confessional approach from other modes of lyric poetry by way of its use of confidences that (Rosenthal said) went "beyond customary bounds of reticence or personal embarrassment". [7]
A version of the foot in poetry in which the first two syllables of a line are unstressed, followed by a stressed syllable; e.g. intercept (the syllables in and ter are unstressed and followed by cept, which is stressed). [22] anaphora anastrophe anecdote A short account of a particular incident or event, especially of an interesting or amusing ...
Proxemics is the study of human use of space and the effects that population density has on behavior, communication, and social interaction. [1] Proxemics is one among several subcategories in the study of nonverbal communication, including haptics (touch), kinesics (body movement), vocalics (paralanguage), and chronemics (structure of time).
The title of the essay comes from Woolf's conception that "a woman must have money and a room of her own if she is to write fiction". [2] The narrator of the work is referred to early on: "Here then was I (call me Mary Beton, Mary Seton, Mary Carmichael or by any name you please—it is not a matter of any importance)". [8]