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In Greek mythology, the underworld or Hades (Ancient Greek: ᾍδης, romanized: Háidēs) is a distinct realm (one of the three realms that make up the cosmos) where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence ( psyche ) is separated from the corpse and ...
Hesiod's Theogony, (c. 700 BC) which could be considered the "standard" creation myth of Greek mythology, [1] tells the story of the genesis of the gods. After invoking the Muses (II.1–116), Hesiod says the world began with the spontaneous generation of four beings: first arose Chaos (Chasm); then came Gaia (the Earth), "the ever-sure foundation of all"; "dim" Tartarus (the Underworld), in ...
Midnite Follies Orchestra was formed in Britain in 1978, by jazz musicians Keith Nichols and Alan Cohen, dedicated to recreating standards by some of early jazz musicians. [1]
This concept is distinguished from the Hades of the underworld described in the works of Homer and Hesiod. In contrast, the celestial Hades was understood as an intermediary place where souls spent an undetermined time after death before either moving on to a higher level of existence or being reincarnated back on Earth.
The Hadean (/ h eɪ ˈ d iː ə n, ˈ h eɪ d i ə n / hay-DEE-ən, HAY-dee-ən) is the first and oldest of the four known geologic eons of Earth's history, starting with the planet's formation about 4.6 billion years ago [4] [5] (estimated 4567.30 ± 0.16 million years ago [2] set by the age of the oldest solid material in the Solar System — protoplanetary disk dust particles — found as ...
Hades and Cerberus, in Meyers Konversationslexikon, 1888. Hades, as the god of the dead, was a fearsome figure to those still living; in no hurry to meet him, they were reluctant to swear oaths in his name, and averted their faces when sacrificing to him. Since to many, simply to say the word "Hades" was frightening, euphemisms were pressed ...
[7] "Hotter Than That," in the words of Thomas Brothers, is a piece turned "into a vehicle for their hometown bag of heartfelt musical tricks — a stunning passage of polymetric tension, rigorous commitment to the fixed and variable model, microphone-aided scat, vehement attack, vocal inflections on the guitar, plaintive dialogue, timbral ...
The Naiad nymph Minthe, daughter of the infernal river-god Cocytus, became concubine to Hades, the lord of the Underworld and god of the dead. [9] [10] In jealousy, his wife Persephone intervened and metamorphosed Minthe, in the words of Strabo's account, "into the garden mint, which some call hedyosmos (lit. 'sweet-smelling')".