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Shape notes are a system of music notation designed to facilitate choral singing. Shape notes of various kinds have been used for over two centuries in a variety of sacred choral music traditions practiced primarily in the Southern region of the United States. "Shape-note singers used tune books rather than hymnals. Hymnals were pocket-size ...
The cycle is sometimes called Four Hymns for Tenor and Strings and performed in an orchestrated version with a string orchestra replacing the piano part. This version remains unpublished, but a manuscript in the composer's hand shows that he had completed an arrangement for string quartet, extracting Violin I, Violin II, and Cello parts from ...
The Baptist Hymnal is a book of hymns and songs used for Christian worship in churches affiliated with the United States denomination, the Southern Baptist Convention. There have been four editions, released in 1956, 1975, 1991 and 2008. The 2008 edition is also published under the name The Worship Hymnal. [1]
The Assyrian Church of the East, the Ancient Church of the East, the Chaldean Catholic Church and the Syro Malabar Catholic Church use the East Syriac Rite, which like the West Syriac Rite lacks a system of musical notation and is instead passed down through oral tradition; it makes use of the following hymnals: the "Turgama" (Interpretation ...
This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
for male chorus and string orchestra with brass ad libitum (or piano) English words translated from the Sanskrit by the composer Choral: 103: 1909: O England, My Country: for unison voices and orchestra (or piano) words by G. K. Menzies Choral: 104: 1909: A Song of Fairies: for female chorus a cappella: Choral: 109: 1910: Christmas Day: Choral ...
52 chorale preludes, Op. 67, is a collection of 52 settings of popular Protestant hymns for organ by Max Reger, composed between 1900 and 1902.Originally published in three volumes between 1900 and 1903 with the cover title "52 Choralvorspiele für Orgel" (52 chorale preludes for organ), the full title of the collection was "Zweiundfünfzig leicht ausführbare Vorspiele zu den ...
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. One of his most popular and highly acclaimed compositions, it is divided into two sections.
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