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a song form which started as a street snail-vendor's song in Zarzuela (a popular Spanish form of operetta) cartageneras song form derived from the taranta, with a florid vocal line, more "artistic" and decorative than forceful and rough castañuelas castanets cejilla capotasto or capo, used by guitarists to raise tone of all strings; a ...
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...
A palo (Spanish pronunciation: ... is the name given in flamenco for the different traditional musical forms. The word palo, in Spanish, has several meanings, ...
Laúd (Spanish: "lute") is a plectrum-plucked chordophone from Spain, played also in diaspora countries such as Cuba and the Philippines. The laúd belongs to the cittern family of instruments. The Spanish and Cuban instruments have six double courses in unison (i.e. twelve strings in pairs); the Philippine instrument has 14 strings with some ...
During the 1940s, Spanish music was shaped by the aftermath of the Civil War and Francisco Franco's dictatorship. Traditional genres like flamenco and classical music continued to thrive, albeit under strict censorship. Popular music forms such as zarzuela and pasodoble celebrated Spanish identity. The era reflected a complex interplay of ...
Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab Zyriab song form, the classical Andalusian orchestras of the Islamic Empire, the Jewish synagogue chants, Mozarabic forms such as zarchyas and zambra, Arabic zayal (the foundation for ...
Malagueñas (Spanish pronunciation: [malaˈɣeɲas]) is one of the traditional styles of Andalusian music , derived from earlier types of fandango from the area of Málaga, classified among the Cantes de Levante. Originally a folk-song type, it became a flamenco style in the 19th century.
In Argentine Spanish, the change of /ʝ/ to a fricative realized as [ʒ ~ ʃ] has resulted in clear contrast between this consonant and the glide [j]; the latter occurs as a result of spelling pronunciation in words spelled with hi , such as hierba [ˈjeɾβa] 'grass' (which thus forms a minimal pair in Argentine Spanish with the doublet yerba ...