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Being and Nothingness: An Essay on Phenomenological Ontology (French: L'Être et le néant : Essai d'ontologie phénoménologique), sometimes published with the subtitle A Phenomenological Essay on Ontology, is a 1943 book by the philosopher Jean-Paul Sartre.
The Prajñāpāramitā (Perfection of Wisdom) Sutras taught that all entities, including dharmas, are empty of self, essential core, or intrinsic nature , being only conceptual existents or constructs. [37] [38] The notion of prajña (wisdom, knowledge) presented in these sutras is a deep non-conceptual understanding of emptiness. [39]
This view framed the Void as a real and foundational component of the universe, contrasting with the notion of it being mere nothingness. [ 3 ] Aristotle , in contrast, rejected the existence of a true Void, arguing that nature abhors a vacuum ( horror vacui ).
In the wake of Being and Nothingness, Sartre became concerned with reconciling his concept of freedom with concrete social subjects and was strongly influenced in this regard by his friend and associate Maurice Merleau-Ponty, whose writings in the late 1940s and early 1950s, including Sense and Non-Sense, were pioneering a path towards a synthesis of existentialism and Marxism. [9]
The poem consists of six untitled books, in dactylic hexameter.The first three books provide a fundamental account of being and nothingness, matter and space, the atoms and their movement, the infinity of the universe both as regards time and space, the regularity of reproduction (no prodigies, everything in its proper habitat), the nature of mind (animus, directing thought) and spirit (anima ...
This question has been written about by philosophers since at least the ancient Parmenides (c. 515 BC). [1] [2]"Why is there anything at all?" or "Why is there something rather than nothing?" is a question about the reason for basic existence which has been raised or commented on by a range of philosophers and physicists, including Gottfried Wilhelm Leibniz, [3] Ludwig Wittgenstein, [4] and ...
Jean-Paul Sartre's Being and Nothingness and Albert Camus' The Myth of Sisyphus discussed the topic. [1] Sartre and Camus expanded on the topic of absurdism. Camus wrote further works, such as The Stranger, Caligula, The Plague, The Fall and The Rebel. [6] Other figures include Martin Heidegger and Jacques Derrida.
In Being and Nothingness, Sartre uses transcendence to describe the relation of the self to the object-oriented world, as well as our concrete relations with others. For Sartre, the for-itself is sometimes called a transcendence.