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The main sort of dress in the 1940s included features such as an hour glass shape figure, broad shoulders, nipped in high waist tops and A line skirts that came down to just at the knee. Many different celebrities who embraced this type of style such as Joan Crawford , Ginger Rogers , Barbara Stanwyck , and Ava Gardner .
[38]: 321–323 One style of ruqun was the combination of short jacket (usually belted and tied at the front of the jacket) with wide sleeves which falls to the knee or below knee level with a very high waist, pleated and multicoloured long skirt.
A succession of style trends led by Christian Dior and Cristóbal Balenciaga defined the changing silhouette of women's clothes through the 1950s. Television joined fashion magazines and movies in disseminating clothing styles. [3] [4] The new silhouette had narrow shoulders, a cinched waist, bust emphasis, and longer skirts, often with wider ...
Very popular in the late 1860s, mid-1890s, early 20th century, 1930s, 1940s, and now worn as a classic skirt style. [22] Inverted pleated skirt: A skirt made by bringing two folds of fabric to a center line in front and/ or back. May be cut straight at sides or be slightly flared. Has been a basic type of skirt since the 1920s. [22] Pleated skirt
The fashion for women was all about letting loose. Women wore dresses all day, every day. Day dresses had a drop waist, which was a belt around the low waist or hip and a skirt that hung anywhere from the ankle on up to the knee, never above. Daywear had sleeves (long to mid-bicep) and a skirt that was straight, pleated, hank hem, or tiered.
By 1916 women were wearing calf-length dresses. [8] Early in the period, waistlines were high (just below the bust), echoing the Empire style (or Directoire) of the early 19th century. The waists were loose and softly defined. Gradually, they dropped to near the natural waist by mid-decade, where they were to remain through the war years.
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