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"Downtown Train" is a song by Tom Waits released on his album Rain Dogs in 1985. The promo video for the song was directed by Jean-Baptiste Mondino , it features boxer Jake LaMotta and Neith Hunter .
A train song is a song referencing passenger or freight railroads, often using a syncopated beat resembling the sound of train wheels over train tracks.Trains have been a theme in both traditional and popular music since the first half of the 19th century and over the years have appeared in nearly all musical genres, including folk, blues, country, rock, jazz, world, classical and avant-garde.
"Downtown" by Tony Hatch, performed by Petula Clark (covered by Dolly Parton, Frank Sinatra, Emma Bunton, The B-52's and others) "Downtown Dirt" by Lou Reed "Downtown Swinga" by M.O.P. "Downtown Train" by Tom Waits "The Dream" by Higher "Dream Like New York" by Tyrone Wells "Dream Love New York, A Love of Ryan Torain" by Brian Foss
"Downbound Train" is a song that appears on the 1984 Bruce Springsteen album Born in the U.S.A. The song is a lament to a lost spouse, and takes on a melancholy tone. [ 3 ] [ 4 ] Author Christopher Sandford described the song as beginning "like a Keith Richards ' riff" that ultimately moves to "one of those great country busted-heart lines ...
But "Downtown" had its greatest significance in the reception it was afforded in the United States, where it was released by Warner Bros. in November 1964: after early regional break-outs, notably in Detroit, Miami, and Washington D.C., "Downtown" debuted at No. 87 on the Hot 100 chart in the Billboard issue dated 19 December 1964.
James Nelson Williams (born 1962), [1] known by the stage name D Train (stylized as D TRAIN), [2] is an American singer, songwriter, instrumentalist, producer and actor. He rose to fame in the early 1980s with the release of his first album "You're the One for Me" (working with songwriter/producer Hubert Eaves III initially as a duo, also called D Train), which spawned his first US Billboard ...
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Tillman was not first in publishing the song, an honor which goes to G. D. Pike in his 1873 Jubilee Singers and Their Campaign for Twenty Thousand Dollars. [5] Rather, Tillman's contribution was that he culturally appropriated the song into the repertoire of white southerners , whose music was derived from gospel , a style that was a distinct ...