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Santana III was also the last Santana album to hit #1 on the charts until Supernatural in 1999. The 2005 edition of Guinness World Records stated that was the longest gap between #1 albums ever occurring (a record which is now held by Paul McCartney since his seventeenth solo studio album, Egypt Station , topped the Billboard 200 chart on 2018 ...
Sacred Fire: Live in South America is an album by Santana, released in 1993.This album is dedicated to the life of Cesar Chavez.The title, "Live in South America", is not correct, as the location of the concert production, Mexico City, is not located on the continent of South America.
Guajira [ɡwaˈxi.ɾa] is a music genre derived from the punto cubano.According to some specialists, [1] the punto cubano was known in Spain since the 18th century, where it was called "punto de La Habana", and by the second half of the 19th century it was adopted by the incipient Spanish Flamenco style, which included it within its "palos" with the name of guajira. [2]
Santana sold in the following years more than 100 million album copies to date. [1] His best-selling album so far is Supernatural, which sold over 27 million copies worldwide. Rolling Stone named Santana number 15 on their list of the 100 Greatest Guitarists of All Time in 2003. [2] He has won 10 Grammy Awards and 3 Latin Grammy Awards.
"Soul Sacrifice" saw release on the 1988 video Viva Santana! An Intimate Conversation With Carlos Santana. Additionally, the same song was released on the 1995 box set Dance of the Rainbow Serpent, the 1970 live album Woodstock: Music from the Original Soundtrack and More, and the 1970 film Woodstock.
The Best of Santana Vol. 2 is a 2000 Compilation album by Santana and a companion album to 1998's ... "Guajira" "Everything's Coming Our Way" "Europa (Earth's Cry ...
The song is famous for its "call and response" passage between the guitar and the bass. In a 50-year retrospective on the album and the song No One to Depend On , Glide Magazine opined; [ 2 ] Apart from Rolie’s sensuous singing—hear especially “No One to Depend On–”most of the insinuating dynamics much in the music derives from ...
Besides original material the album also included a number of cover versions of songs from a diverse range of genres, including Latin traditionals like "A Caballo" (also known as "El Carretero"), American jazz and mambo king Tito Puente's standard "Oye Como Va" coupled with Santana's "Guajira", Spanish Flamenco singer-songwriter Pepe de Lucía ...