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Japanese Buddhist architecture is the architecture of Buddhist temples in Japan, consisting of locally developed variants of architectural styles born in China. [1] After Buddhism arrived from the continent via the Three Kingdoms of Korea in the 6th century, an effort was initially made to reproduce the original buildings as faithfully as possible, but gradually local versions of continental ...
It was originally used in the Kon-dō and Kō-dō (lecture halls) of Buddhist temples, but started to be used also in shrines later, during the Japanese Middle Ages. [30] The name derives from its hip and gable roof (入母屋屋根, irimoya yane). In Japan the gable is right above the edge of the shrine's moya, while the hip covers the hisashi ...
Kuhonbutsu (九品仏), officially designated as Joshin-ji (浄真寺, Joshin-ji), is a Buddhist temple situated in Setagaya, Tokyo. Affiliated with the Jōdo sect, [1] it is dedicated to the Buddha. The temple derives its name from the presence of nine statues, each depicting a different manifestation of Amida Buddha, within its premises. [2]
The layout of four early temples clearly illustrates this trend: they are in chronological order Asuka-dera, Shitennō-ji, Hōryū-ji, and Yakushi-ji. [7] In the first, the pagoda was at the very center of the garan surrounded by three small kondō (see the reconstruction of the temple's original
The temple was founded by the Shingon scholar and monk Myōe (1173–1232) and is renowned for its numerous national treasures and important cultural properties. [1] The Chōjū-jinbutsu-giga , a group of ink paintings from the 12th and 13th centuries, are among the most important treasures of Kōzan-ji. [ 2 ]
A torii at the entrance of Shitennō-ji, a Buddhist temple in Osaka. In Japan, Buddhist temples co-exist with Shinto shrines and both share the basic features of Japanese traditional architecture. [3] Both torii and rōmon mark the entrance to a shrine, as well as to temples, although torii is associated with Shinto and rōmon with Buddhism.
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Daibutsuyō (大仏様, lit. great Buddha style) is a Japanese religious architectural style which emerged in the late 12th or early 13th century. Together with Wayō and Zenshūyō, it is one of the three most significant styles developed by Japanese Buddhism on the basis of Chinese models. Originally called tenjikuyō (天竺様, lit.