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Piano Concerto No. 2 in F major, Op. 102, by Dmitri Shostakovich was composed in 1957 for the 19th birthday of his son Maxim, who premiered the piece on 10 May 1957 during his graduation concert at the Moscow Conservatory.
Op. 35: Piano Concerto No. 1 in C minor (1933); also known as the Concerto in C minor for Piano, Trumpet, and String Orchestra; Op. 77: Violin Concerto No. 1 in A minor (1947–1948) Op. 102: Piano Concerto No. 2 in F major (1957) Op. 107: Cello Concerto No. 1 in E ♭ major (1959) Op. 126: Cello Concerto No. 2 in G major (1966)
The Suite for Jazz Orchestra No. 2 (Russian: Сюита для джазового оркестра №2) is a suite by Dmitri Shostakovich.It was written in 1938 for the newly founded State Jazz Orchestra of Victor Knushevitsky, and was premiered on 28 November 1938 in Moscow (Moscow Radio) by the State Jazz Orchestra.
Dmitri Dmitriyevich Shostakovich [a] [b] (25 September [O.S. 12 September] 1906 – 9 August 1975) was a Soviet-era Russian composer and pianist [1] who became internationally known after the premiere of his First Symphony in 1926 and thereafter was regarded as a major composer.
Despite being commonly attributed to Shostakovich and based on his music, the Suite for Variety Orchestra No. 1 was arranged by Levon Atovmyan ; a composer, arranger, and artistic administrator born in Russian Turkestan. They met at a meeting of Vsyeroskomdram , the All-Russia Society of Composers and Dramatists, in the early 1930s. [5]
Chamber music by Dmitri Shostakovich (1 C, 6 P) Concertos by Dmitri Shostakovich (6 P) F. ... Piano Sonata No. 2 (Shostakovich) 24 Preludes and Fugues (Shostakovich)
The Piano Trio No. 2 in E minor, Op. 67, is a piece for violin, cello and piano by the Russian composer Dmitri Shostakovich, started in late 1943 and completed in August the following year. It was premiered on 14 November 1944.
A section from Johann Strauss' Waltz from Die Fledermaus. A waltz, [a] probably deriving from German Ländler, is dance music in triple meter, often written in 3 4 time.A waltz typically sounds one chord per measure, and the accompaniment style particularly associated with the waltz is (as seen in the example to the right) to play the root of the chord on the first beat, the upper notes on the ...