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Many types of trees found in the Celtic nations are considered to be sacred, whether as symbols, or due to medicinal properties, or because they are seen as the abode of particular nature spirits. Historically and in folklore, the respect given to trees varies in different parts of the Celtic world.
During the night before 1 May, traditionally unmarried men, but nowadays persons of any gender, erect cut young birch trees, complete with their spring green foliage, often decorated with multicoloured satin (sometimes crepe paper) streamers, in front of the house of their sweetheart. (Sometimes, but rarely, additionally with a (heartshaped ...
Tom Shippey proposed that the Birch tree, praised in the poem, symbolises the 'B' scheme of English teaching, namely Tolkien's own subject, philology. Verlyn Flieger doubted the connection, writing that the Birch played a significant emotional role in Smith of Wootton Major , as in the poem, and that this was only diminished by seeking a ...
Also, in Immacallam in dá Thuarad, or The Dialogue of the Two Sages, the mystic symbol used by gods, fairies, magicians, and by all initiates who know the mystery of life and death, is thus described as a Druid symbol:–'Neidhe' (a young bard who aspired to succeed his father as chief poet of Ulster), "made his journey with a silver branch over him.
Human beings, observing the growth and death of trees, and the annual death and revival of their foliage, [1] [2] have often seen them as powerful symbols of growth, death and rebirth. Evergreen trees, which largely stay green throughout these cycles, are sometimes considered symbols of the eternal, immortality or fertility.
Celtic Religion in Pre-Christian Times. Andover-Harvard Theological Library. Arenas-Esteban, J. Alberto (2010). Celtic religion across space and time: fontes epigraphici religionvm celticarvm antiqvarvm. Toledo: Junta de Comunidades de Castilla-La Mancha. ISBN 978-84-7788-589-4. de Bernardo Stempel, Patrizia (2003). "Die sprachliche Analyse ...
The Celtic religion perceived the presence of the supernatural as integral to, and interwoven with, the material world. Every mountain, river, spring, marsh, tree and rocky outcrop was inspirited. [3]: 29 While the polytheistic cultures of ancient Greece and Rome revolved around urban life, ancient Celtic society was predominantly rural. The ...
Miranda Aldhouse-Green has argued that, although Pliny is the only authority to mention this ceremony, the main elements of his account are all features of Celtic religion that are confirmed elsewhere; these include oak trees, mistletoe, ritual banqueting, the moon, and bull-sacrifice. [8]