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In North American and other diaspora Jewish communities, the use of "shiksa" reflects more social complexities than merely being a mild insult to non-Jewish women. A woman can only be a shiksa if she is perceived as such by Jewish people, usually Jewish men, making the term difficult to define; the Los Angeles Review of Books suggested there ...
The Tz'enah Ur'enah (Hebrew: צְאֶנָה וּרְאֶינָה Ṣʼenā urʼenā "Go forth and see"; Yiddish pronunciation: [ˌʦɛnəˈʁɛnə]; Hebrew pronunciation: [ʦeˈʔena uʁˈʔena]), also spelt Tsene-rene and Tseno Ureno, sometimes called the Women's Bible, is a Yiddish-language prose work whose structure parallels the weekly Torah portions and Haftarahs used in Jewish prayer ...
Yiddish, [a] historically Judeo-German, [11] [b] is a West Germanic language historically spoken by Ashkenazi Jews.It originated in 9th-century [12]: 2 Central Europe, and provided the nascent Ashkenazi community with a vernacular based on High German fused with many elements taken from Hebrew (notably Mishnaic) and to some extent Aramaic.
The Yiddish word has a trilingual etymology: Hebrew, רבי rabbí ("my master"); the Slavic feminine suffix, -ица (-itsa); and the Yiddish feminine suffix, ין- -in. [1] A male or female rabbi may have a male spouse but, as women and openly gay men were prohibited from the rabbinate for most of Jewish history, there has historically been ...
peace of the home) (also sholom bayit or shlom bayit, or (Yiddish) sholom bayis or shlom bayis) is the Jewish religious concept of domestic harmony and good relations between husband and wife. In a Jewish court of law, shalom bayit is the Hebrew term for marital reconciliation. [2]
Tkhine of the Matriarchs for the New Moon of Elul by Serl bat R' Yankev Sega"l of Dubno. Tkhines or teḥinot (Yiddish: תְּחִנּוֹת, lit. 'supplications', pronounced or Hebrew: pronounced) may refer to Yiddish prayers and devotions, usually personal and from a female viewpoint, or collections of such prayers.
'Working Women'), also known as Tsu Di Arbeter Froyen (Yiddish: צו די אַרבעטער פֿרױען, lit. 'To the Working Women'), is a Yiddish language poem-cum-song written by David Edelshtat, and first scribed by Yankev Glatshteyn. [1] The song combines themes of Socialist Feminism with the ideals of the Jewish Labour Bund.
Grossman claimed that three factors affected how Jewish women were perceived by society: "the biblical and Talmudic heritage; the situation in the non-Jewish society within which the Jews lived and functioned; and the economic status of the Jews, including the woman's role in supporting the family."