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Jungle is a genre of electronic music that developed out of the UK rave scene and Jamaican sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop ...
In addition to the famous "Yeah! Woo!" sample, another part of the drum break has seen prominent use in songs of diverse breakbeat subgenres such as jungle, drum and bass and breakcore. [6] [7] The sample contains a short, ad-libbed shout by one of the musicians, and is usually played at a higher speed, giving the shout a very recognizable ...
In the late 1980s and early 1990s, a growing nightclub and overnight outdoor event culture gave birth to new genres in the rave scene including breakbeat hardcore, darkcore, and hardcore jungle, which combined sampled syncopated beats, or breakbeats, and other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and ...
In the early 1990s, Zero-G released the Datafile series, a trilogy of sample libraries comprising samples taken from the personal collection of Zero-G's founder, Ed Stratton. They were widely used in electronic music in the 1990s, particularly British house and drum and bass. The samples were unlicensed and the packs are no longer commercially ...
Raggacore is a style of music derived from ragga jungle that somewhat predates breakcore, characterized by ragga and dancehall rhythms and vocals. [15] Its roots can arguably be traced back to jungle producer Remarc, who was one of the first producers to mix ragga and dancehall vocals with chaotic and intricately rearranged break beats. While ...
Considered to be a highly influential jungle track, it was originally released as the B-side of "The Touch" before its re-release as a standalone single in 1996, both released on RAM Records. [2] "Valley of the Shadows" proved a lot more popular than the A-side, "The Touch", and the single went on to become one of the label's best-selling releases.
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