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The disadvantages of transcoding are that there is quality loss when transcoding between lossy compression formats, and that the process is highly CPU-intensive. This article compares video converters that have their own articles on Wikipedia.
The software converts most video files into other formats such as AVI, MKV, MOV, Ogg, VOB, MP4, FLV, WMV, MP3, etc. [5] [6] [7] [8]. This freeware also performs ...
LosslessCut is a free, platform independent video editing software, which supports numerous audio, video and container formats. [4] [5]It is a graphical user interface, with MacOS, [6] Windows [7] and Linux [8] support, using the FFmpeg multimedia framework.
The quality the codec can achieve is heavily based on the compression format the codec uses. A codec is not a format, and there may be multiple codecs that implement the same compression specification – for example, MPEG-1 codecs typically do not achieve quality/size ratio comparable to codecs that implement the more modern H.264 specification.
Video can be compressed immensely (e.g., 100:1) with little visible quality loss; Audio can often be compressed at 10:1 with almost imperceptible loss of quality; Still images are often lossily compressed at 10:1, as with audio, but the quality loss is more noticeable, especially on closer inspection.
No No No No Planned No VP9: Lossy or lossless: 2013-06 Patent claims Yes Yes No Yes Yes No No No VP8: Lossy or lossless: 2008-09 Patent claims Yes Yes No Yes Yes No No No Dirac: Lossy or lossless: 2008-03 Patent-free [60] VCM [d] No Yes No Needs Dirac [61] No Private No MVC: Stereoscopic: 2009-05 Patent encumbered Yes [41] No No No No No [IV ...
Free and open-source software portal; libavcodec is a free and open-source [4] library of codecs for encoding and decoding video and audio data. [5]libavcodec is an integral part of many open-source multimedia applications and frameworks.
CineForm Intermediate is an open source (from October 2017) [1] video codec developed for CineForm Inc by David Taylor, David Newman and Brian Schunck. On March 30, 2011, the company was acquired by GoPro which in particular wanted to use the 3D film capabilities of the CineForm 444 Codec for its 3D HERO System.
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