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In art, the subject was first depicted as one of a series of Passion scenes, but from the 15th century onwards it was also painted in individual works. The most-discussed single work is the enigmatic Flagellation of Christ on a small panel in Urbino by Piero della Francesca (1455–1460), the precise meaning of which has eluded generations of ...
In art the Instruments either surrounded an image of Christ in andachtsbilder subjects such as the Man of Sorrows, or might appear by themselves - often the image of Christ's face on the Veil of Veronica was the focal point of the image. In both cases the purpose of the representations was to symbolize the sufferings of Christ during his Passion.
The Flagellation of Christ (probably 1468–1470) is a painting by Piero della Francesca in the Galleria Nazionale delle Marche in Urbino, Italy.Called by one writer an "enigmatic little painting," [1] the composition is complex and unusual, and its iconography has been the subject of widely differing theories.
Christ Driving the Money Changers from the Temple is a painting by El Greco, from 1568, now in the National Gallery of Art in Washington, D.C., in the United States. [1] It depicts the Cleansing of the Temple, an event in the Life of Christ.
Man of Sorrows by Ludwig Krug, with cloth draping around the supposedly erect penis of Jesus. The image also shows the ostentatio vulnerum of Jesus's wounds.. Ostentatio genitalium (Latin for "display of the genitals") is a term coined by Leo Steinberg in 1983 [1] that refers to artistic emphasis of the genitals of Christ in Renaissance paintings.
Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations. Images of the Virgin Mary and saints are much rarer in Protestant art than that of Roman Catholicism and Eastern Orthodoxy. Christianity makes far wider use of images than ...
Perched high atop Corcovado Mountain, Christ the Redeemer is more than a religious symbol or tourist attraction — it’s an enduring icon of Brazilian identity.
The image of the Divine Mercy is a depiction of Jesus Christ that is based on the Divine Mercy devotion initiated by Faustina Kowalska. According to Kowalska's diary, Jesus told her "I promise that the soul that will venerate this image will not perish. I also promise victory over enemies already here on earth, especially at the hour of death.
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