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The French sense of arabesque: a Savonnerie carpet in the Louis XIV style, c.1685–1697, wool, Metropolitan Museum of Art, New York City Design of a Louis XVI style arabesque, by Étienne de La Vallée Poussin, c.1780–1793, pen and gray and brown ink, brush and colored wash, Metropolitan Museum of Art The "Arabesque Room" in the Catherine ...
The Islamic arabesque is a form of artistic decoration consisting of "rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, [13] often combined with other elements. It usually consists of a single design which can be 'tiled' or seamlessly repeated as many times as desired. [14]
However, in the view of Hamilton Gibb, the emphasis differs: geometric patterns tend to be used for borders, and if they are in the main decorative area they are most often used in combination with other motifs such as floral designs, arabesques, animal motifs, or calligraphic script. Geometric designs in Islamic metalwork can form a grid ...
Both the niche and most of the façade around it are carved with a polygonal pattern based on the form of six-pointed stars. [1] [5] This the earliest datable example of the star-shaped medallion as a significant decorative motif of Islamic woodworks. [1] This pattern radiates from a central star, surrounded by hexagonal or pentagonal shapes.
This common pattern features 12-pointed, 6-pointed, and 8-pointed stars. In traditional zellij decoration, geometric patterns of varying complexity were the most prominent and widespread motif. Vegetal arabesque motifs were also used, though less frequently. [5]
[24] [21] In Nasrid and Mudéjar architecture, the lower section or dado section of walls was typically covered in mosaic tile , whereas carved stucco covered the remaining wall above the dado with arabesques, geometric patterns, and epigraphic motifs. A similar configuration predominated in Marinid architecture.
Girih patterns can be created in a variety of ways, including the traditional straightedge and compass construction; the construction of a grid of polygons; and the use of a set of girih tiles with lines drawn on them: the lines form the pattern. Patterns may be elaborated by the use of two levels of design, as at the 1453 Darb-e Imam shrine.
The Europeanized arabesque patterns called moresque are also very often combined with strapwork, especially in tooled and gilded bookbindings. Scrollwork is a variant that tended to replace strapwork almost completely by the Baroque. It is less geometric and more organic, more three dimensional, and with emphasis on the curling ends of the ...
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