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Projection gauge is the film gauge (width) used for the release print. Projection aspect ratio is the image ratio determined by the ratio of the projection dimensions multiplied by the anamorphic power of the projection lenses (1× in the case of spherical lenses). This is also known as the intended theatrical aspect ratio. [1]
Aspect ratio (image) The aspect ratio of an image is the ratio of its width to its height. It is expressed as two numbers separated by a colon, width:height. Common aspect ratios are 1.85:1 and 2.40:1 in cinematography, 4:3 and 16:9 in television, and 3:2 in still photography.
8 mm film is a motion picture film format in which the film strip is eight millimetres (0.31 in) wide. It exists in two main versions – the original standard 8 mm film, also known as regular 8 mm, and Super 8. Although both standard 8 mm and Super 8 are 8 mm wide, Super 8 has a larger image area because of its smaller and more widely spaced ...
16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about 2⁄3 inch); other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, television) film-making, or for low-budget motion pictures. It also existed as a popular amateur or ...
The Academy ratio of 1.375:1 (abbreviated as 1.37:1) is an aspect ratio of a frame of 35 mm film when used with 4-perf pulldown. [ 1 ] [ 2 ] It was standardized by the Academy of Motion Picture Arts and Sciences as the standard film aspect ratio in 1932, although similar-sized ratios were used as early as 1928.
Frame number markings for three standard image formats (6×4.5, 6×6, and 6×9 [4:3, 1:1, and 2:3 aspect ratios]; see below) are printed on the backing paper. The 220 format was introduced in 1965 and is the same width as 120 film, but with about double the length of film and thus twice the number of possible exposures per roll.
The modern anamorphic format has an aspect ratio of 2.39:1, meaning the (projected) picture's width is 2.39 times its height, (this is sometimes approximated to 2.4:1). The older Academy format of Anamorphic widescreen was a response to a shortcoming in the non-anamorphic spherical (a.k.a. "flat") widescreen format.
In 3D. Aspect ratio opened up to 1.90:1 for the entire film at IMAX Digital Venues. For 70mm 15-perf prints, the aspect ratio was exclusively framed at 1.66:1 for IMAX GT venues. The pre-show included a special version of the IMAX countdown. [citation needed] Madagascar 3: Europe's Most Wanted: 8 June 2012 ** In 3D. Selected territories only. [156]