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African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa. They were introduced to West Africans by Dutch merchants during the 19th century, who took inspiration from native Indonesian batik designs. [4] They began to adapt their designs and colours to suit the tastes of the African ...
The embroidery techniques, such as buttonhole stitch and cut-pile embroidery, are often simple, but their intricate effects are a result of the skill-level and final pattern design used. For example, hemmed appliqué is a simple technique still used today where raphia cloth pieces are cut into designs and sewn onto the base fabric.
It is the Khmer version of the Javanese Kebaya with plain stamped cotton, elaborately hand-painted and embroidered with silk and gold thread. In the past, this kind of top was pure white in colour with a high, fully embroidered collar. Today, it has more gold thread and embroidery in several colors.
Quality cloth is dyed 25 or more times to create a deep blue-black color before the paste is washed out. Additional forms of indigo resist-dyeing exist in other parts of West Africa; for example, the Bamana of Mali use mud resist, while Senegalese dyers use rice paste rather than cassava root, and the Ndop of Cameroon use both stitch resist and ...
The Komole dress can have different necklines, sleeves, embroidery and embellishments, depending on the occasion and the wearer’s taste. It is popular as Wedding wear for Yoruba brides [5] Iborun: This is a Scarf or Stole; Oleku: This is a short knee length Iro ati Buba style or dress. It is not as long as typical Iro ati Buba attire.
Whitework embroidery is any embroidery technique in which the stitch and the foundation fabric (traditionally white linen) are of same color. Styles of whitework embroidery include most drawn thread work , broderie anglaise , Hardanger embroidery , Hedebo embroidery , Mountmellick embroidery , reticella and Schwalm.
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