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  2. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    List of chord progressions. The following is a list of commonly used chord progressions in music. Mix. I–IV– ♭ VII–IV. Mix. Mix. Mix. Omnibus progression. Mix.

  3. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...

  4. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of popular music ...

  5. Andalusian cadence - Wikipedia

    en.wikipedia.org/wiki/Andalusian_cadence

    The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise – a iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [ 1 ] It is otherwise known as the minor ...

  6. Coltrane changes - Wikipedia

    en.wikipedia.org/wiki/Coltrane_changes

    Coltrane developed this modified chord progression for "Countdown", which is much more complex. At its core, "Countdown" is a variation of "Tune Up", [ 13 ] but the harmonic substitutions occur rapidly and trick the listener into thinking that they are listening to a completely unrelated tune.

  7. Pitch axis theory - Wikipedia

    en.wikipedia.org/wiki/Pitch_axis_theory

    Pitch axis theory refers to a way of thinking about chord progressions and modes, that was heavily used and popularized (though not invented) by the guitarist Joe Satriani. [ 1 ] When composing using this concept, the pitch axis is simply a chosen note (a specific pitch), which is thought of as the tonic for a sequence of chords , which must ...

  8. Neo-Riemannian theory - Wikipedia

    en.wikipedia.org/wiki/Neo-Riemannian_theory

    Neo-Riemannian theory is a loose collection of ideas present in the writings of music theorists such as David Lewin, Brian Hyer, Richard Cohn, and Henry Klumpenhouwer. What binds these ideas is a central commitment to relating harmonies directly to each other, without necessary reference to a tonic.

  9. Passamezzo antico - Wikipedia

    en.wikipedia.org/wiki/Passamezzo_antico

    The romanesca is a variant of the passamezzo antico, where the first chord is the III (e.g., a C major chord in A minor). A famous example is "Greensleeves".The passamezzo antico chord changes are found, knowingly or not, in modern popular music culture: Carrie Underwood's debut album Some Hearts has two examples, "Before He Cheats" (a big U.S. hit in 2006) and "Starts with Goodbye".

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