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Other notable black persons he photographed are Countee Cullen, a poet and writer who was associated with the Harlem Renaissance; Josephine Baker, a dancer and entertainer who became famous in France and was known for her provocative performances; W. E. B. Du Bois, a sociologist, historian and civil rights activist who was a leading figure in ...
The Harlem Renaissance, also known as the New Negro Movement, was a cultural, social, and artistic explosion centered in Harlem, New York, and spanning the 1920s. This list includes intellectuals and activists, writers, artists, and performers who were closely associated with the movement.
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]
Harlem Renaissance: African American poets, novelists, and thinkers, often employing elements of blues and folklore, based in the Harlem neighborhood of New York City in the 1920s [98] Langston Hughes, Zora Neale Hurston: Jindyworobak movement: The Jindyworobak movement originated in Adelaide, South Australia during the great depression.
Wallace Henry Thurman (August 16, 1902 – December 22, 1934) was an American novelist and screenwriter active during the Harlem Renaissance.He also wrote essays, worked as an editor, and was a publisher of short-lived newspapers and literary journals.
Gwendolyn B. Bennett (July 8, 1902 – May 30, 1981) was an American artist, writer, and journalist who contributed to Opportunity: A Journal of Negro Life, which chronicled cultural advancements during the Harlem Renaissance. Though often overlooked, she herself made considerable accomplishments in art, poetry, and prose.
Victoria Monét is here to remind Us why we love music videos with the visual accompaniment to her latest single, “Alright.” The R&B star, 35, dropped her new video on Tuesday, June 11, after ...
Its entry on the Harlem Renaissance, Encyclopædia Britannica describes the play as depicting vice and crime with "vernacular and slang-ridden dialogue". It drew praise from white critics and mixed reactions from African American critics, some of whom lamented its focus on the lower echelons of Harlem society. [4]