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The String Quartet No. 2 by Charles Ives is a work for string quartet written between 1907 and 1913. [1] It was premiered at McMillin Theatre, Columbia University in New York City on 11 May 1946, by a Juilliard School student ensemble. [ 2 ]
The String Quartet No. 2 in A minor, Op. 13, was composed by Felix Mendelssohn in 1827. [1] Written when he was 18 years old, it was, despite its official number, Mendelssohn's first mature string quartet. One of Mendelssohn's most passionate works, the A minor Quartet is one of the earliest and most significant examples of cyclic form in music.
P VIII:68 – String Quartet Op. 90 No. 2 in C major; P VIII:69 – String Quartet Op. 90 No. 3 in B flat major; P VIII:70 – String Quartet Op. 92 No. 1 in D major; P VIII:71 – String Quartet Op. 92 No. 2 in B flat major; P VIII:72 – String Quartet Op. 92 No. 3 in G major; P VIII:73 – String Quartet op103 No. 1 in E minor; P VIII:74 ...
The String Quartet No. 2 in B ♭ major, B. 17, was probably composed by Antonín Dvořák in 1869, early in his compositional career. It was one of three (together with Nos. 3 , and 4 ) which Dvořák later believed he had destroyed after he had disposed of the scores.
The String Quartet: A History. Thames and Hudson. ISBN 0-500-27383-9. Griffiths, Paul: "String Quartet: §§5–9", in: The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001). Scholes, Percy A. (1938). The Oxford Companion to Music. Oxford University Press.
The Concert for Violin, Piano and String Quartet, Op.21 (French: Concert pour piano, violon et quatuor à cordes) is a piano sextet by Ernest Chausson scored for piano, violin and string quartet. The work was composed between 1888 and 1891. [1] [2]
Opus 145: Chamber Symphony No. 1 (1987) (arranged from String Quartet No. 2, Op. 3) Opus 146: String Quartet No. 17 (1987) Opus 147: Chamber Symphony No. 2 (1987) Opus 148: Flute Concerto No. 2 (1987) Opus 149: Music to the Film The Tale of the Love for a Painter (1987) Opus 150: Symphony No. 20 (1988) Opus 151: Chamber Symphony No. 3 (1991)
The quartet is considerably influenced by the music of European avant-garde composers who were gaining celebrity at this time, particularly Pierre Boulez's Le Marteau sans maître. This is a much more fragmentary piece than his earlier quartet (1951): the four instruments play very individual roles and unpredictably bounce off one another.
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