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spirito Spirit, con spirito: with spirit, with feeling spiritoso Spirited staccato Making each note brief and detached; the opposite of legato. In musical notation, a small dot under or over the head of the note indicates that it is to be articulated as staccato. stanza A verse of a song stem Vertical line that is directly connected to the ...
Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo opera or operetta Ballabile: danceable (song) to be danced to Battaglia: battle: An instrumental or vocal piece suggesting a battle Bergamasca ...
I. Allegro con brio [ edit ] The first movement follows the sonata allegro format of the classical period , and borrows thematically from Beethoven's Piano Quartet No. 3 in C major , [ 5 ] WoO 36, from a decade earlier.
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Allegro con brio (A major) A typical performance lasts approximately 33–45 minutes depending on the choice of tempo, and whether the repeats in the 1st, 3rd, and 4th movements are omitted The work as a whole is known for its use of rhythmic devices suggestive of a dance, such as dotted rhythm and repeated rhythmic figures.
The following is a list of recordings of Divertimento: The Israel Philharmonic Orchestra recorded a live performance of the piece with Bernstein in the conductor's seat. The recording was taken in May 1981 in Tel Aviv and was released that same year on LP and cassette by Deutsche Grammophon , [ 9 ] and re-released on CD Audio in 1988 [ 10 ] and ...
The sonata is in four movements, and usually takes twenty minutes to perform: Allegro energico; Allegro vivace e leggero; Adagio mesto; Fuga: Allegro con spirito; The sonata is very difficult to play; [15] Barber, himself a pianist, was unable to adequately play it, [16] [17] and the Music Library Association noted in 1986 that the sonata was "once considered almost too demanding a work". [18]
The trios can be seen as a part of the preparation for the upcoming string quartets, which became the leading genre among his chamber music. The musicologist Gerald Abraham has remarked that in terms of their style and aesthetic value the string trios of Op. 9 rank with Beethoven's first string quartets which ousted the trios from the concert ...