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A theme is usually defined as a message, statement, or idea, while a motif is simply a detail repeated for larger symbolic meaning. In other words, a narrative motif—a detail repeated in a pattern of meaning—can produce a theme; but it can also create other narrative aspects.
This theme, along with cruel oppression, is a recurring theme in the works of the Brothers Grimm, such as The Frog Prince and Rapunzel. Critic Jack Zipes suggests that the theme of child abuse leads to a more adult centered story. This veers away from the more accepted thought that fairy tales are meant for children. [9]
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2] Themes are often distinguished from premises.
The stories often are written entirely in rhyme, include simple themes of daily life, and the playful but harmless mischief of Madeline, which appeal to children and parents alike; while most of the books have several recurring themes, such as Miss Clavel turning on the light and saying: "Something is not right".
The horror stories in A Tree of Night and Other Stories involve recurring themes of isolation and emotional anxiety. The protagonists are not quite ready to grow up, whether they are adults or children. The adult characters are emotionally isolated and bear unresolved emotional conflicts from childhood.
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Tropological criticism (not to be confused with tropological reading, a type of biblical exegesis) is the historical study of tropes, which aims to "define the dominant tropes of an epoch" and to "find those tropes in literary and non-literary texts", an interdisciplinary investigation of which Michel Foucault was an "important exemplar". [9]
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