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Music that contains drones and is rhythmically still or very slow, called "drone music," [2] can be found in many parts of the world, including bagpipe traditions, among them Scottish pibroch piping; didgeridoo music in Australia, South Indian classical Carnatic music, and Hindustani classical music (both of which are accompanied almost invariably by the Tanpura, a plucked, four-string ...
In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is burden (bourdon or burdon) [1] [2] such as a "drone [pipe] of a bagpipe", [3] [4] the pedal point in an organ, or the lowest course of ...
Pages in category "Drone music albums by American artists" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes .
Earth 2: Special Low Frequency Version is the debut studio album by the American rock band Earth, released on February 5, 1993 on Sub Pop.Produced by Earth and Stuart Hallerman, it was highly influential in the development of drone music, especially the drone metal subgenre. [3]
Minimal music (also called minimalism) [2] [3] is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units.
Drone music is a minimalist [89] genre of music that emphasizes the use of sustained sounds, [90] notes, or tone clusters called drones. It is typically characterized by lengthy compositions featuring relatively slight harmonic variations. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism."
Alumbrados produces psychedelic folk/drone music and consists of Michael Gibbons, John Gibbons, Michael Zanghi and Aaron Igler. Prairie Dog Flesh is more improvisational and rearranges the members of Bardo Pond with Takeda on vocals. Hash Jar Tempo is a collaboration between Bardo Pond and Roy Montgomery.
Furthermore, in Western music, which is harmonically based, both a player's hands were needed to play the chords, thus assigning the bellows to the feet was the best solution; in Indian music, which is melodically based, only one hand was necessary to play the melody, and the other hand was free for the bellows.