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“Archway” serves as a precise rendering of one aspect of academia where “identity is achieved through the exploitation and destruction of others.” [4] In what literary critic Greg Johnson calls a “bitterly ironic story,” Oates closes the work with a rhetorical question delivered by the omniscient narrator: “What possibility of happiness without some random, incidental death ...
The story draws from Collier's early life in rural Maryland during the Great Depression. Its themes include poverty, maturity and the relationship between innocence and compassion. [ 1 ] While teaching literature at the Community College of Baltimore County , she published "Marigolds" in Negro Digest , and it won the inaugural Gwendolyn Brooks ...
Mar et al., in a study of 94 participants, identified that the primary mode of literature that increases empathy is fiction, as opposed to non-fiction. [5] Other studies verify these results and go on to specify that active fiction in particular engages with the reader and affects the reader’s empathy, at the very least in adults, rather than passive, entertainment fiction. [6]
Fred Rogers' difficult childhood is credited with giving the beloved television host a deeper well of understanding towards others. The post The Sad Story Behind Mr. Rogers’ Hallmark Empathy ...
Empathy is generally described as the ability to take on another person's perspective, to understand, feel, and possibly share and respond to their experience. [1] [2] [3] There are more (sometimes conflicting) definitions of empathy that include but are not limited to social, cognitive, and emotional processes primarily concerned with understanding others.
Most of the stories are related to Crutcher's early work and often come from his experience as a family counselor. [1] This book also contains the short story "A Brief Moment in the Life of Angus Bethune" which first appeared in Connections, edited by Donald R. Gallo, published in 1989 by Delacorte Press. It was adapted into the film Angus. The ...
The two principal protagonists of "The End of the Party" [3] are nine-year-olds, Peter Morton and Francis Morton. The story makes clear that although they are identical twins, they possess profound psychological differences – Peter, the elder by several minutes, is presented as a healthy child with an intensively protective attitude towards his impaired brother, while Francis is depicted as ...
His 2014 biography of his father, The Projectionist: The Story of Ernest Gébler is based on Ernest's diaries and notes for an autobiography, left unwritten on his death in 1998. [9] The Times Literary Supplement ' s review of The Projectionist noted the author's "emotional empathy" and remarked that "this loving care gives the subject ...