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The use of dark subjects dramatically lit by a shaft of light from a single constricted and often unseen source, was a compositional device developed by Ugo da Carpi (c. 1455 – c. 1523), Giovanni Baglione (1566–1643), and Caravaggio (1571–1610), the last of whom was crucial in developing the style of tenebrism, where dramatic chiaroscuro ...
John the Baptist (John in the Wilderness), by Caravaggio, 1604, in the Nelson-Atkins Museum of Art, Kansas City. Tenebrism, from Italian tenebroso ('dark, gloomy, mysterious'), also occasionally called dramatic illumination, is a style of painting using especially pronounced chiaroscuro, where there are violent contrasts of light and dark, and where darkness becomes a dominating feature of the ...
Light Art is a fairly new construction, as a mirror translation from Dutch or German: Lichtkunst. The pioneers of light art, being devoted to it, felt the necessity to give it certain names in order to distinguish their art from any other genres of art like painting, sculpture or photography.
However, the painting relies strongly on the tonal contrasts of the pale face, mid-tone background and dark garment with patterned bodice for effect. Filippino Lippi uses chiaroscuro to model the face of the sitter and define the details of his simple garment. The light and shadow on the edge of the window define the angle of the light.
The sharp contrast of the divine light against dark is a tool used to make the scene appear more profound for its viewers. [ 20 ] : 232 [ 21 ] London's National Gallery describes Geertgen's work as: "one of the most engaging and convincing early treatments of the Nativity as a night scene.
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
In its most typical manifestations, Baroque art is characterized by great drama, rich, deep colour, and intense light and dark shadows, but the classicism of French Baroque painters like Poussin and Dutch genre painters such as Vermeer are also covered by the term, at least in English. [4]
The space-opera franchise Star Wars also depicts Light and Dark aspects in the form of the fictional energy field called The Force where there are two sides, light side and dark side wherein the protagonists, the Jedi, practice and propagate the use of the former, and the antagonists, the Sith, use the latter.