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Epistulae Morales ad Lucilium (Latin for "Moral Letters to Lucilius"), also known as the Moral Epistles and Letters from a Stoic, is a letter collection of 124 letters that Seneca the Younger wrote at the end of his life, during his retirement, after he had worked for the Emperor Nero for more than ten years.
The following other wikis use this file: Usage on ar.wikipedia.org رسائل أخلاقية إلى لوسيلوس; Usage on ca.wikipedia.org Epistulae morales ad Lucilium
[1] At the time Seneca wrote his Letters (c. 65 AD), Lucilius was the procurator (and possibly governor) of Sicily. [2] He was a Roman Knight, a status he had achieved through "persistent work," [3] and he owned a country villa in Ardea, south of Rome. [4] Seneca devotes one of his shorter letters to praising a book Lucilius had written, [5 ...
Seneca's first letter to Lucilius, discussing the value of time, in Latin with English subtitles. His works discuss both ethical theory and practical advice, and Seneca stresses that both parts are distinct but interdependent. [51] His Letters to Lucilius showcase Seneca's search for ethical perfection. [51]
It appears in an occupatio passage wherein Seneca imagines Lucilius's objections to his arguments. Non vitae sed scholae discimus ("We learn [such literature] not for life but for classtime") was thus already a complaint, the implication being that Lucilius would argue in favor of more practical education and that mastery of literature was ...
Seneca was most likely motivated to write this letter of consolation to Marcia in order to gain her favor; Marcia was the daughter of a prominent historian, Aulus Cremutius Cordus, and her family's enormous wealth and influence most likely inspired Seneca to write this letter of consolation. Through the essay he sticks to philosophical ...
The earliest known reference to them is in Jerome's On Illustrious Men chapter 12, a work of around 392 CE: [7]. Lucius Annaeus Seneca of Cordova, a disciple of the Stoic Sotion, and paternal uncle of the poet Lucan, was a man of very temperate life whom I would not place in a catalogue of saints, were it not that I was prompted to do so by those Letters from Paul to Seneca and from Seneca to ...
These neoclassicists adopted Seneca's innovation of the confidant (usually a servant), his substitution of speech for action, and his moral hairsplitting. The 1800s saw a period of general disparagement of Senecan drama, as criticism surrounding the violence and supposed monotony of the plays flourished. [ 21 ]