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John Birks "Dizzy" Gillespie (/ ɡ ɪ ˈ l ɛ s p i / gil-ESP-ee; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. [2] He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge [3] but adding layers of harmonic and rhythmic complexity previously unheard in jazz.
The book introduces Dizzy and his friends like Charlie "Bird" Parker as they struggled to make money by playing. Later on it tells of how Dizzy became a great trumpeter and even the origin of his signature bent trumpet. Various compositions and albums have been named after Gillespie's book title.
Mario Bauzá introduced bebop innovator Dizzy Gillespie to the Cuban conga drummer, dancer, composer, and choreographer Chano Pozo. The brief collaboration of Gillespie and Pozo produced some of the most enduring Afro-Cuban jazz standards. "Manteca" (1947), co-written by Gillespie and Pozo, is the first jazz standard to be rhythmically based on ...
Dizzy Gillespie 1955 "Manteca" is one of the earliest foundational tunes of Afro-Cuban jazz.Co-written by Dizzy Gillespie, Chano Pozo and Gil Fuller in 1947, it is among the most famous of Gillespie's recordings (along with the earlier "A Night in Tunisia") and is "one of the most important records ever made in the United States", according to Gary Giddins of The Village Voice. [1] "
When the Cotton Club closed in 1940, Calloway and his band went on a tour of the United States. [2] In 1941 Calloway fired Dizzy Gillespie from his orchestra after an onstage fracas. Calloway wrongly accused Gillespie of throwing a spitball; in the ensuing altercation Gillespie stabbed Calloway in the leg with a small knife. [3]
"Salt Peanuts" is a contrafact of "I Got Rhythm" by George and Ira Gershwin: it has the same 32-bar AABA structure and harmony, but its melody is different. [3] It is a simple piece – "a four-measure riff phrase played twice in each A section, and a slightly more complex bridge (which incorporates the ubiquitous ♭ 9–7–8 figure twice)".
The Allmusic review stated "This double album is subtitled "Dizzy Gillespie Plays and Raps in His Greatest Concert," an exaggeration to say the least. In reality, this set (which contains some of his humorous joking with the audience) is a fine all-around example of Gillespie at a typical concert in 1981.
Dizzy Gillespie at Newport is a 1957 live album by Dizzy Gillespie, featuring his big band, recorded at the 1957 Newport Jazz Festival. [ 2 ] [ 3 ] [ 4 ] Reception