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A Greek Army on the March: Soldiers and Survival in Xenophon's Anabasis. Cambridge; New York: Cambridge University Press, 2007. Nussbaum, G. B. The Ten Thousand: A Study in Social Organization and Action in Xenophon's Anabasis. Leiden: E. J. Brill, 1967. Rood, T. "Space and Landscape in Xenophon's Anabasis". In Kate Gilhuly & Nancy Worman (eds ...
Route of Xenophon and the Ten Thousand (red line) in the Achaemenid Empire.The satrapy of Cyrus the Younger is delineated in green.. Written years after the events it recounts, Xenophon's book Anabasis (Greek: ἀνάβασις, literally "going up") [14] is his record of the expedition of Cyrus and the Greek mercenaries' journey to home. [15]
Route of Xenophon and the Ten Thousand (red line) in the Achaemenid Empire.The satrapy of Cyrus the Younger is delineated in green.. The Ten Thousand (Ancient Greek: οἱ Μύριοι, hoi Myrioi) were a force of mercenary units, mainly Greeks, employed by Cyrus the Younger to attempt to wrest the throne of the Persian Empire from his brother, Artaxerxes II.
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Meno (/ˈmiːnoʊ/; Greek: Mένων, Menōn; c. 423 – c. 400 BC), son of Alexidemus, was an ancient Thessalian political figure, probably from Pharsalus. [1]He is famous both for the eponymous dialogue written by Plato and for his role as one of the generals leading different contingents of Greek mercenaries in Xenophon's Anabasis.
Fragments of Xenophon's Hellenica, Papyrus PSI 1197, Laurentian Library, Florence. Xenophon's Hellenica is a Classical Greek historical narrative divided into seven books that describe Greco-Persian history in the years 411–362 BC. The first two books narrate the final years of the Peloponnesian War from the moment at which Thucydides ...
He may or may not be the same Mithradates who accompanied the younger Cyrus, or the same Mithradates mentioned by Xenophon [3] as satrap of Cappadocia and Lycaonia in the late 5th century BCE. During the Satraps' Revolt in the 360s BCE, Mithridates tricked Datames to believe in him, but in the end arranged Datames' murder in 362 BCE.
The moving moment described by Xenophon has stirred the imagination of readers in later centuries, as chronicled in a study by Tim Rood. [7] Heinrich Heine uses the cry in his cycle of poems Die Nordsee published in Buch der Lieder in 1827. [8] The first poem of the second cycle, Meergruß ('Sea Greeting'), begins: Thalatta! Thalatta!