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At the residence of physician Bill Stockton, he enjoys a birthday party being thrown for him by his wife Grace and their son Paul. Also at the party are Jerry Harlowe, Bill's brother-in-law; Frank Henderson and Marty Weiss, Bill and Jerry's former college roommates; and the wives and children of Jerry, Frank, and Marty.
Jon Pareles, music critic for The New York Times, gave high praise to McKee's singing and the band's musicianship, but described the album as something of a disappointment in that "the band's songwriting has grown weaker": whereas the songs of the debut album were filled with "down-to-earth details that make country music hit home", those of Shelter "are much vaguer – they're about ...
A chord is several notes sounded simultaneously. Two-note chords are called dyads, three-note chords built by using the interval of a third are called triads. Arpeggiated chord A chord with notes played in rapid succession, usually ascending, each note being sustained as the others are played. It is also called a broken chord, a rolled chord ...
Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...
In a very slow ballad, if a chord-playing musician adds in an improvised diminished chord for a half a bar, this may "clash" with the melody notes or chords played by other performers. On the other hand, in an extremely up-tempo (fast) bebop tune, a comping musician could add improvised passing chords with more freedom, because each bar goes by ...
"I'll Be Your Shelter" is a song by American singer Taylor Dayne from her second studio album, Can't Fight Fate (1989). Written by Diane Warren and produced by Ric Wake , the song was released on April 2, 1990 via Arista Records as the third single from the album.
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Backdoor compared with the dominant (front door) in the chromatic circle: they share two tones and are transpositionally equivalent. In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression [1] [2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker.
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