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Severson, Don R., Finding Paradise, Island Art in Private Collections, University of Hawaii Press, 2002 Yoshihara, Lisa A., Collective Visions, 1967-1997, An Exhibition Celebrating the 30th Anniversary of the State Foundation on Culture and the Arts , Art in Public Places Program, Presented at the Honolulu Academy of Arts , September 3-October ...
Weaving of kiekie leaves Weaving peg. Māori traditional textiles are the indigenous textiles of the Māori people of New Zealand.The organisation Te Roopu Raranga Whatu o Aotearoa, the national Māori weavers' collective, aims to preserve and foster the skills of making and using these materials.
Legends from the East Coast of the North Island tell of his explorations in Ahuriri, Heretaunga, Māhia, Pōrangahau, Tūranga-nui and Wairoa. He travelled via the Mangakopikopiko River, over the Tītī-o-kura saddle via Pohokura to Lake Taupō. The Ōtamatea River is named after him. Tamatea is also the name of a place in Napier. [citation needed]
Pā locations include volcanoes, spurs, headlands, ridges, peninsulas and small islands, including artificial islands. Standard features included a community well for long-term supply of water, designated waste areas, an outpost or an elevated stage on a summit on which a pahu would be slung on a frame that when struck would alarm the residents ...
The historical mural, titled Ancient Punaluu, Hawaiʻi Island measured 24-foot (7.3 m) wide by 10-foot (3.0 m) high. According to a news report, "The mural shows aliʻi, warriors and commoners on the black sandbar, which separates Punaluʻu Bay from a pond where springs provide fresh water immediately behind the beach.....A ceiling of thatch ...
In the late 18th century, Hawaii underwent a series of wars in which Maui changed hands multiple times, and which culminated with the unification of the Hawaiian islands. Sometime around the time of Captain Cook's first visit, King Kalaniʻōpuʻu of Hawaii briefly conquered Maui's Hana District from King Kahekili II, but was pushed out around ...
Māui's next feat was to stop the sun from moving so fast. His mother Hina complained that her kapa (bark cloth) was unable to dry because the days were so short. Māui climbed to the mountain Hale-a-ka-lā (house of the sun) and lassoed the sun’s rays as the sun came up, using a rope made from his sister's hair. [2]
The design for mahiole is a basketry frame cap with a central crest running from the center of the forehead to the nape of the neck. However the variation in the design is considerable with the colour and arrangement of the feather patterns differing and the crest varying in height and thickness.