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What is different about new media is how they specifically refashion traditional media and how older media refashion themselves to meet the challenges of new media. [ 6 ] Unless they contain technologies that enable digital generative or interactive processes, broadcast television programs , feature films , magazines , and books are not ...
Credibility: traditional media is much more trustworthy than digital media. Digital media or new media, increased the spread of fake news, unlike traditional media. [27] Reach: traditional media has a wide reach with the older generations. [28] Targeted audience: traditional media can be targeted to specific audiences. [29]
Media art history is an interdisciplinary field of research that explores the current developments as well as the history and genealogy of new media art, digital art, and electronic art. [ 1 ] [ 2 ] [ 3 ] On the one hand, media art histories addresses the contemporary interplay of art, technology, and science.
Mass Communications and Media Studies: An Introduction (Bloomsbury, 2010) Poe, Marshall T. A History of Communications: Media and Society From the Evolution of Speech to the Internet (Cambridge University Press; 2011) 352 pages; Documents how successive forms of communication are embraced and, in turn, foment change in social institutions.
It is the beginning of a new existence, and indeed the beginning of a new age, The Information Age, marked by the autonomy of culture vis-à-vis the material basis of our existence." [132] Thomas Chatterton Williams wrote about the dangers of anti-intellectualism in the Information Age in a piece for The Atlantic. Although access to information ...
It comes as more people said that they get science news updates from traditional news outlets compared with social media.
New media art has origins in the worlds of science, art, and performance. Some common themes found in new media art include databases, political and social activism, Afrofuturism, feminism, and identity, a ubiquitous theme found throughout is the
Henry Jenkins is accepted by media academics to be the father of the term with his book Convergence Culture: Where Old and New Media Collide. [2] It explores the flow of content distributed across various intersections of media, industries and audiences, presenting a back and forth power struggle over the distribution and control of content. [3]