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In Times New Roman's name, Roman is a reference to the regular or roman style (sometimes also called Antiqua), the first part of the Times New Roman typeface family to be designed. Roman type has roots in Italian printing of the late 15th and early 16th centuries, but Times New Roman's design has no connection to Rome or to the Romans.
De Groot described its subtly rounded design as having "a warm and soft character". [3] In January 2024, the font was replaced by Microsoft's new bespoke font, Aptos, as the new default Microsoft Office font, after 17 years. [5] [6] Calibri is part of the ClearType Font Collection, a suite of fonts from various designers released with Windows ...
Times New Roman, a modern example of a transitional serif design. Transitional, or baroque, serif typefaces first became common around the mid-18th century until the start of the 19th. [36] They are in between "old style" and "modern" fonts, thus the name "transitional".
Plantin was the basis for the general layout of Monotype's most successful typeface of all, Times New Roman. [27] [28] Times is similar to Plantin but "sharpened" or "modernised", with increased contrast (particularly resembling designs from the eighteenth and nineteenth century) and greater "sparkle". [29] [30] [31] Allan Haley commented that ...
On December 1, 2016, the official project website announced the release of STIX version 2.0.0. This was created by Ross Mills and John Hudson of Tiro Typeworks. Unlike the previous version, which closely matches Nimbus Roman No. 9 L, it is an original design loosely inspired by a smaller 10 point size of Times New Roman, with a higher x-height ...
Victor Lardent (1905–1968) was a British advertising designer and draftsman at The Times in London. He created the typeface Times New Roman under the artistic direction of Stanley Morison in 1931, which is commonly used in Microsoft Word. [1]
The New York Times changed its standard font from Times New Roman to Georgia in 2007. [11] Georgia is a "Scotch Roman", a style that originated in types sold by Scottish type foundries of Alexander Wilson and William Miller in the period of 1810–1820. According to Thomas Curson Hansard, these were cut by London-based punchcutter Richard Austin.
The Bauer Bodoni typeface, with samples of the three of the fonts in the family: Roman (or regular), bold, and italic.. In metal typesetting, a font (American English) or fount (Commonwealth English) is a particular size, weight and style of a typeface, defined as the set of fonts that share an overall design.