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Zigeunerweisen is in one movement but can be divided into four sections, the first three in the key of C minor and the last in A minor, based on the tempi: . Moderato – An imposing, virtuosic introduction with slow majestic energy by the orchestra, then a little softer by the violin itself.
"Quiéreme mucho" was composed by Gonzalo Roig at 21 years of age in 1911, before he had finished his music studies. [1] [2] He wrote the melody and played it on his piano, without making any further arrangements. [3] Roig had been composing songs for a few years, since 1907, when he wrote "La voz del infortunio" at age 17. [1]
Siete Canciones populares Españolas ("Seven Spanish Folksongs") is a 1914 set of traditional Spanish songs arranged for soprano and piano by the composer Manuel de Falla. Besides being Falla's most-arranged composition and one of his most popular, it is one of the most frequently performed sets of Spanish-language art songs. The Godebski family
The Raphael song "Tema de Amor" was performed in the 1968 Argentinian film Digan lo que digan (Let Them Talk) and it used this song as the melody with lyrics. The Dutch Duo de Koning recorded the song as ‘Ave Maria klinkt zacht door de nacht’ probably in 1968. This piece was the melody for the 1970 Françoise Hardy song "San Salvador".
"Bésame Mucho" (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of ...
Amor (Great Love Songs in Spanish) is an album by Eydie Gorme & The Trio Los Panchos. It was produced by Pete Rosaly and released in 1964 on the Columbia Records label. The album spent 22 weeks on the charts and included the hit single "Sabor a Mi". It was the best-selling album in Gorme's career. [1] [2]
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
The melodic themes which form the basis of "Malagueña" were not of Ernesto Lecuona's invention, having been prominent in Spanish folk songs named "malagueñas" for several centuries, though at least one was popularised internationally by 19th-century American composer Louis Moreau Gottschalk in his solo piano composition Souvenirs d'Andalousie (English: Memories of Andalusia).
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