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They use texts from the King James Bible. In the sequence for the service, they are: Let Thy Hand Be Strengthened — for the recognition of the king as the rightful ruler; Zadok the Priest — for the anointing, i.e. recognition by God and the Church; The King Shall Rejoice — for the crowning itself
4 time, with the choir singing chordally and a dotted rhythm in the strings. The final section, "God save the King", etc., is a return to common time ( 4 4 ), with the "God save the King" section heard chordally, interspersed with the Amens incorporating long semiquaver runs, taken in turn through the six voice parts (SAATBB) with the other ...
A double Anglican Chant with the chords in different colours. Below are the four lines of the doxology Gloria Patri (commonly known as the "Gloria"), with the text coloured to show which words correspond to which notes in the music (pointing varies from choir to choir): Glory be to the Father, and ' to the ' Son : and ' to the ' Ho ly ' Ghost;
Come, O Thou King of Kings (Men's Choir) Parley P. Pratt: H. Tucker [9] 333: High on the Mountain Top (Men's Choir) Joel H. Johnson: Ebenezer Beesley: 334: I Need Thee Every Hour (Men's Choir) Annie S. Hawks: Robert Lowry: 335: Brightly Beams Our Father's Mercy (Men's Choir) Philip Paul Bliss: Philip Paul Bliss: 336: School Thy Feelings (Men's ...
In 1908, nine LDS Church mission presidents collaborated to produce a more simple hymnal with music and text. At the time, there were several songbooks and hymnbooks in use in Utah, including the Latter-day Saints' Psalmody, the Manchester Hymnal, the Deseret Sunday School Union Songbooks, Primary hymnbooks for children, etc.
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According to the tradition of the King's College Choir, the soloist of this hymn is usually chosen right before the performance, when the choirmaster decides whose voice is the strongest on the day, prior to the start of the broadcast. [6] This carol was the first recording that the King's College Choir under Boris Ord made for EMI in 1948. [7]
For example, there are many masses (often called "Communion Services") written in English for the Church of England. At a time when Christianity was competing for prominence with other religions, the music and chants were often beautiful and elaborate to attract new members to the Church. [9] Music is an integral part of mass.