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Electronic literature or digital literature is a genre of literature where digital capabilities such as interactivity, multimodality or algorithmic text generation are used aesthetically. [1] Works of electronic literature are usually intended to be read on digital devices, such as computers , tablets , and mobile phones .
Download as PDF; Printable version ... Literary Theory: ... (1985). "Review of The Crisis in Criticism: Theory, Literature, and Reform in English Studies; Literary ...
Digital Literature in Research and Teaching: A Handbook. Bielefeld: Transcript, 2010. Giovanna Di Rosario. 2011. OLE Officina di Letteratura Elettronica - Lavori del Convegno, Atelier Multimediale edizioni, Napoli; Markku Eskelinen. 2012. Cybertext Poetics: The Critical Landscape of New Media Literary Theory. [28] Hartmut Koenitz et al. 2015.
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. [1] Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history , moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning . [ 1 ]
Electronic Literature: New Horizons for the Literary, (South Bend: University of Notre Dame Press, 2008. ISBN 9780268030858) [34] My Mother Was a Computer: Digital Subjects and Literary Texts, (Chicago: The University of Chicago Press, 2005. ISBN 9780226321479) [35] Nanoculture: Implications of the New Technoscience (ed.), 2004 [36]
Hypertext fiction is a genre of electronic literature characterized by the use of hypertext links that provide a new context for non-linearity in literature and reader interaction. The reader typically chooses links to move from one node of text to the next, and in this fashion arranges a story from a deeper pool of potential stories.
The Norton Anthology of Theory & Criticism (NATC) is an anthology of literary theory and criticism written in or translated to English that is published by the W. W. Norton & Company, one of several such compendiums. The first edition was published in 2001, with a second edition published in 2010 and a third in 2018.
Linda Hutcheon, FRSC, OC (born August 24, 1947) is a Canadian academic working in the fields of literary theory and criticism, opera, and Canadian studies.She is a University Professor Emeritus in the Department of English and of the Centre for Comparative Literature at the University of Toronto, where she has taught since 1988.