Search results
Results from the WOW.Com Content Network
Christina's World is a 1948 painting by American painter Andrew Wyeth and one of the best-known American paintings of the mid-20th century. It is a tempera work done in a realist style, depicting a woman in an incline position on the ground in a treeless, mostly tawny field, looking up at a gray house on the horizon, a barn, and various other small outbuildings are adjacent to the house. [1]
The Helga Pictures are a series of more than 268 paintings and drawings of German model Helga Testorf (born c. 1933 [1] [2] or c. 1939 [3] [4]) created by American artist Andrew Wyeth between 1971 and 1985.
Grave of Andrew Wyeth, with the Olson House in the background, Cushing, Maine. The couple had two sons. Nicholas was born in 1943. Jamie Wyeth, born in 1946, followed his father's and grandfather's footsteps, becoming the third generation of Wyeth artists. Andrew painted portraits of both children (Nicholas and Faraway of Jamie). Andrew was the ...
Andrew Wyeth. Untitled, 1986. Watercolor on paper, B3150. Unframed: 11 x 14 in. Collection of the Wyeth Foundation for American Art.
Otherworld is a 2002 painting by American artist Andrew Wyeth. [1] The painting depicts Andrew Wyeth's wife and manager, Betsy Wyeth , looking out the window of private jet. Andrew had originally titled the painting Betsy's World in reference to his famous painting Christina's World , but it was renamed Otherworld by Betsy.
This page was last edited on 1 November 2016, at 14:36 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Pranysqa Mishra, 9, performed Ike and Tina Turner's "River Deep —Mountain High" on "America's Got Talent," earning a Golden Buzzer from judge Heidi Klum.
Wyeth believed in the ability of ordinary things to carry symbolism, "profound meaning," and rich emotion. [5] The same is true for Wind from the Sea. Comparing the rigid window frame to Christina's resiliency, the decaying curtains to her disability, and the crocheted birds to her delicate and surviving femininity, Wyeth considered the painting to be a symbolic portrait of her.