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The hymn is most commonly set to [17] and was made famous by [18] the tune "St Fulbert" by Henry John Gauntlett, which first appeared in The Church Hymn and Tune Book (London, 1852). There it was used for the hymn "Now Christ, our Passover, is slain" and was known as "St Leofred". The editors of Hymns Ancient and Modern set Campbell's altered ...
The Church Hymnal: a collection of hymns from the Prayer book hymnal (1869) [56] The Book of Common Praise: with music for the Book of Common Prayer (1869) [57] A Church hymnal: compiled from "Additional hymns," "Hymns ancient and modern," and "Hymns for church and home," as authorized by the House of Bishops (1870) [58]
"All Glory, Laud and Honour" is an English translation by the Anglican clergyman John Mason Neale of the Latin hymn "Gloria, laus et honor", which was written by Theodulf of Orléans in 820. [1] It is a Palm Sunday hymn, based on Matthew 21:1–11 and the occasion of Christ's triumphal entry into Jerusalem. [2]
Hymn Words Music Notes 319: Ye Elders of Israel (Men) Cyrus H. Wheelock: Thomas H. Bayly: 320: The Priesthood of Our Lord (Men) John Craven: John Craven: 321: Ye Who Are Called to Labor (Men) Mary Judd Page: Daniel B. Towner: 322: Come, All Ye Sons of God (Men) Thomas Davenport: Orson Pratt Huish: 323: Rise Up, O Men of God (Men's Choir ...
On high, the armies of angels give glory; below, men, standing in church forming a choir, emulate the same doxologies. Above, the Seraphim declaim the thrice-holy hymn; below, the multitude of men sends up the same. A common festival of the heavenly and the earthly is celebrated together; one Eucharist, one exultation, one joyful choir.
The Free Church that broke away from the kirk in 1843 in the Great Disruption, was more conservative over music, and organs were not permitted until 1883. [38] Hymns were first introduced in the United Presbyterian Church in the 1850s. They became common in the Church of Scotland and Free Church in the 1870s.
The "Great Four" are four hymns widely popular in Anglican and other Protestant churches during the 19th century.[3]In his Anglican Hymnology, published in 1885, the Rev. James King surveyed 52 hymnals from the member churches of the Anglican Communion around the world, and found that 51 of them included these hymns, the so-called Great Four: [4]
According to the tradition of the King's College Choir, the soloist of this hymn is usually chosen right before the performance, when the choirmaster decides whose voice is the strongest on the day, prior to the start of the broadcast. [6] This carol was the first recording that the King's College Choir under Boris Ord made for EMI in 1948. [7]