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Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.
The Great Wave off Kanagawa, the best known print in the series (20th century reprint). Mount Fuji is in the center distance.. Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849).
Painter and engraver, applied French oil painting techniques to traditional Japanese painting Ohno Bakufu: 1888–1976 Painter and printmaker Kawai Kanjirō: 1890–1966 Potter and a key figure in mingei (Japanese folk art) and studio pottery movements Yasuo Kuniyoshi: 1893–1953 Migrated to New York from Japan in 1906.
— One of the world’s most famous paintings is now on display at the Nelson-Atkins Museum. Called “Under the Wave off Kanagawa,” this painting has inspired countless artists over the past ...
Katsushika Hokusai (葛飾 北斎, c. 31 October 1760 – 10 May 1849), known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. [1] His woodblock print series Thirty-Six Views of Mount Fuji includes the iconic print The Great Wave off Kanagawa .
Kaempfer, H. M. and W. O. G. Sickinghe The Fascinating World of the Japanese Artist. A Collection of Essays on Japanese Art by Members of the Society for Japanese Arts and Crafts, The Hague, Society for Japanese Arts and Crafts, 1971. ISBN 0-87093-156-3; Kapur, Nick (2018). Japan at the Crossroads: Conflict and Compromise after Anpo.
Hiroshige's work came to have a marked influence on western European painting towards the close of the 19th century as a part of the trend in Japonism. Western European artists, such as Manet and Monet , collected and closely studied Hiroshige's compositions: Vincent van Gogh , for instance, painted copies of some Hiroshige prints.
Japanese Modern Art Painting From 1910 . Edition Stemmle. ISBN 3-908161-85-1; Watson, William, The Great Japan Exhibition: Art of the Edo Period 1600-1868, 1981, Royal Academy of Arts/Weidenfeld & Nicolson; Momoyama, Japanese art in the age of grandeur. New York: The Metropolitan Museum of Art. 1975. ISBN 978-0-87099-125-7. Murase, Miyeko (2000).