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Sylvia Plath (/ p l æ θ /; October 27, 1932 – February 11, 1963) was an American poet and author.She is credited with advancing the genre of confessional poetry and is best known for The Colossus and Other Poems (1960), Ariel (1965), and The Bell Jar, a semi-autobiographical novel published shortly before her suicide in 1963.
The list below includes the poems in the US version of the collection, published by Heinemann in 1960. [1] This omits several poems from the first UK edition, published by Faber & Faber in 1967, [2] including five of the seven sections of "Poem for a Birthday", only two of which ("Flute Notes from a Reedy Pond" and "The Stones") are included in the US edition.
The poems of Ariel, with their free-flowing images and characteristically menacing psychic landscapes, marked a dramatic turn from Plath's earlier Colossus poems. [1] Ted Hughes, Plath's widower and the editor of Ariel, made substantial changes to her intended plan for the collection by changing her ordering of the poems, dropping some pieces ...
Plath published only one book in her lifetime—the novel The Bell Jar—but several collected editions of her poetry, short stories, letters, and children's books were published posthumously. The Bell Jar (1963), under the pseudonym "Victoria Lucas"
Selected Poems by Hugh MacDiarmid; Selected Poems (Howard Moss) by Howard Moss; Selected Poems (Robert Nathan) by Robert Nathan; Selected Poems (Sylvia Plath) by Sylvia Plath; Selected Poems (Robert Pinsky) by Robert Pinsky; Selected Poems (J. C. Ransom) by John Crowe Ransom; Selected Poems (C. A. Smith) by Clark Ashton Smith
The Bell Jar is the only novel written by the American writer and poet Sylvia Plath.Originally published under the pseudonym "Victoria Lucas" in 1963, the novel is supposedly semi-autobiographical with the names of places and people changed.
"Two Lovers and a Beachcomber by the Real Sea" is a poem written by Sylvia Plath that was first published in 1955, the year she graduated from Smith College summa cum laude. [1] An abstract poem about an absent lover, it uses clear, vivid language to describe seaside scenery, with "a grim insistence" on reality rather than romance and imagination.
Plath reported that while caring for her two children during the winter of 1962 she wrote “a poem a day before breakfast.” [3] “Elm” was inspired by an enormous wych-elm that shaded the Devon house, “growing on a shoulder of a moated prehistoric mound.” [ 4 ]
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