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[5] The song was written by Regard, Sivan and McRae along with Frederik Castenschiold Eichen, Koda, Sakima and Tom Mann, and produced by Regard. [6] "You" is an English-language '80s-inspired [7] [8] dance-pop and electro-pop song, [9] with a synth-pop sound and a deep house hook, while fusing electronic and retro-pop elements in its chorus.
In Japan, the song was released dually with "Never Say Never" as a double A-side single. The song received positive reviews, with critics complimenting the track's dance feel, and the lyrical content. "Somebody to Love" became Bieber's third consecutive top ten hit in Canada, and his fourth consecutive top twenty single in the United States.
Consequence named "Stupid Love" the sixth best song of 2020, calling it "a perfect pop song" and stating it's "exactly what we’ve wanted from Lady Gaga for a long, long time". [42] Other publications, including Billboard [ 43 ] and Rolling Stone , [ 44 ] also included "Stupid Love" on their lists of the best songs of the year.
In the United Kingdom, "Really Love" was the country's most downloaded song in its first week of release. [40] It was the second highest new entry on the UK Singles Chart , debuting at number three, becoming Craig David's 16th, KSI's 4th and Digital Farm Animals' 2nd top 10 hit.
"You Met Your Match" is a song written by Stevie Wonder, Lula Mae Hardaway, and Don Hunter that was released by Wonder on his 1968 album For Once in My Life. It was the first song Wonder produced in the studio. [1] "You Met Your Match" was released as a single where it reached No. 35 on the Billboard Hot 100 and No. 2 on the Billboard R&B chart ...
The main query I hold with You Don’t Know Love is the pace of the song. It takes 1 minute and 4 seconds for the first chorus to come in, not unheard of, but generally you will find with pop songs, especially radio hits, that the chorus will usually come in around the 40-second mark. This extra 24 seconds really lingers.
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The song received generally favorable reviews. Writing for Rolling Stone, Jon Blisten called "Matches" a "delightful hit of contemporary club pop" with strings that are "reminiscent of the Max Martin-style songs that made Spears and BSB superstars". [18] Tom Breihan from Stereogum called the track "catchy" and "fast, glitchy pop". [9]