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Leçons d'Enfer music theatre for 2 actors, 3 singers, 7 instruments, tape, and live electronics; texts by Arthur Rimbaud and Michel Butor (1990–91) Madrigal I for clarinet (1958) Madrigal II for 4 early instruments (flute, violin, viola da gamba, harpsichord) (1961)
Scene and sequel are two types of written passages used by authors to advance the plot of a story. Scenes propel a story forward as the character attempts to achieve a goal. [1] Sequels provide an opportunity for the character to react to the scene, analyze the new situation, and decide upon the next course of action. [2]
The term Grand ballabile is used if nearly all participants (including principal characters) of a particular scene in a full-length work perform a large-scale dance. bar, or measure unit of music containing a number of beats as indicated by a time signature; also the vertical bar enclosing it barbaro
The Song of Hiawatha (full name: Scenes from The Song of Hiawatha by Henry Wadsworth Longfellow), Op. 30, is a trilogy of cantatas written by Samuel Coleridge-Taylor between 1898 and 1900. The first part, Hiawatha's Wedding Feast , was particularly famous for many years and made the composer's name known throughout the world.
Dedication of a work to another composer or performer: Pierre Boulez's Rituel in memoriam Bruno Maderna; Anton Bruckner's Symphony No. 3 is dedicated to Richard Wagner; George Enescu's Octet for strings, Op. 7 (1900), is dedicated to André Gedalge; York Höller. Mythos (1979–80) is dedicated to Hans Zender
In audio/visual media, a segue is a transition from a song, scene or topic to another one. A segue allows the disc jockey, director or show host to naturally proceed from one song or scene or topic to another without jarring the audience. A good segue makes the transition look natural and effortless, such as from one live event to another.
In addition a secret underlying "Enigma" theme runs through the whole work, which has never been definitely discovered; Sea Pictures; Overture Cockaigne (In London Town), Op. 40; The Wand of Youth, Opp. 1a and 1b, two suites based on music he had written as a child; Overture In the South (Alassio), Op. 50; Falstaff, symphonic study, Op. 68
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