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A rhythmic sequence is the repetition of a rhythm with free use of pitches: The opening bars of "The Star-Spangled Banner" Opening bars of " The Star-Spangled Banner " A modified sequence is a sequence where the subsequent segments are decorated or embellished so as to not destroy the character of the original segment:
Rhythmic concepts are introduced in a child-developmentally appropriate manner based upon the rhythmic patterns of their folk music (for example, 6 8 is more common in English than 2 4, so it should be introduced first). The first rhythmic values taught are quarter notes (crotchets) and eighth notes (quavers), which are familiar to children as ...
Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter:
Rhythmic displacement, so that the metrical stress occurs at a different point in the otherwise unchanged theme. Sequence , either diatonically within a key or through a succession of keys. The Scherzo movement from Beethoven's Piano Sonata No. 15 in D major, Op 28 (the "Pastoral" Sonata) shows a number of these processes at work on a small scale.
Isorhythm (from the Greek for "the same rhythm") is a musical technique using a repeating rhythmic pattern, called a talea, in at least one voice part throughout a composition. Taleae are typically applied to one or more melodic patterns of pitches or colores , which may be of the same or a different length from the talea .
A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. [4] A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence ...
The Euclidean rhythm in music was discovered by Godfried Toussaint in 2004 and is described in a 2005 paper "The Euclidean Algorithm Generates Traditional Musical Rhythms". [1] The greatest common divisor of two numbers is used rhythmically giving the number of beats and silences, generating almost all of the most important world music rhythms ...
Different types of musical cycles can overlap. One example is isorhythm, the medieval practice of using melodic and rhythmic cycles in one or two voices. There is a certain sequence of pitch material (known as the color) and a separate sequence of rhythmic values (known as the talea), which has a different length.