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The doors, measuring 4.45 metres (14.6 ft) wide and 7.53 metres (24.7 ft) high, consist of two leaves. [2] The panels and lintels of the doors are made of cast bronze. Each leaf pivots on pins installed in the floor at the bottom and in the architrave at the top. [3]
The westwork of Hildesheim Cathedral in 2005. Each leaf of the doors was cast as a single piece. Given the size (left: 472.0 x 125.0 cm, right: 472.0 x 114.5 cm, maximum thickness c. 3.5-4.5 cm) and enormous weight (both c. 1.85 tonnes) of the doors, this is a great achievement for its time.
Interior of a Gothic Church is an oil on panel painting by Paul Vredeman de Vries. [1] The painting was completed in 1595 and is currently on display at the Memorial Art Gallery in Rochester, New York. [1] Interior of a Gothic Cathedral by Paul Vredeman de Vries, 1612, Oil on wood, from the Los Angeles County Museum of Art [2]
Early church architecture did not draw its form from Roman temples, as they did not have large internal spaces where worshipping congregations could meet. It was the Roman basilica used for meetings, markets, and courts of law that provided a model for the large Christian church and that gave its name to the Christian basilica. [4]
The bronze central door is a recent addition to the cathedral, replacing the original wooden one. The large door, known as the Porta della Riconoscenza, was commissioned in 1946 near the end of the German occupation of Siena. [11]
The church has been described as "one of the finest and most important small medieval churches in South Essex, and of exceptional architectural, archaeological and historical significance". Notable features include the complex plan form and development, Norman font and doors with original fittings and the medieval woodwork including a priest's ...
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