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Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
In some early performances Robert Plant introduced the song as "Killing Floor"; an early UK pressing of Led Zeppelin II showed the title as "Killing Floor" and was credited to Chester Burnett (Howlin' Wolf's legal name). The song evolved into "The Lemon Song", with Plant often improvising lyrics onstage (the opening lyrics to both songs are ...
"Killing Floor", a song on Bruce Dickinson's 1998 album The Chemical Wedding "Killing Floor", a song on Black Stone Cherry's 2011 album Between the Devil & the Deep Blue Sea; Killing Floor, a 1992 album by Vigilantes of Love; Killing Floor (British band), a British blues rock band; Killing Floor (American band), an American electro-industrial ...
The Howlin' Wolf entry is possibly the best of the batch, and one of the best introductions to this mercurial electric bluesman. Opening with the savage 'Killing Floor,' the album doesn't let up in intensity, and it happily focuses on Wolf's less-anthologized sides, which gives the album a freshness a lot of blues compilations lack". [1]
Howlin' Wolf's original "The Red Rooster" is included in the Rock and Roll Hall of Fame's list of the "500 Songs That Shaped Rock and Roll". [74] As well as being a blues standard , [ 75 ] Janovitz calls "Little Red Rooster" a "classic song [that] has been recorded countless times, a warhorse for most late-'60s and 1970s classic rock acts". [ 23 ]
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"Spoonful" has a one-chord, modal blues structure found in other songs Dixon wrote for Howlin' Wolf, such as "Wang Dang Doodle" and "Back Door Man", and in Wolf's own "Smokestack Lightning". It uses eight-bar vocal sections with twelve-bar choruses and is performed at a medium blues tempo in the key of E. [ 5 ] Music critic Bill Janovitz ...