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One very basic form of Celtic or pseudo-Celtic linear knotwork. Stone Celtic crosses, such as this, are a major source of knowledge regarding Celtic knot design. Carpet page from Lindisfarne Gospels, showing knotwork detail. Almost all of the folios of the Book of Kells contain small illuminations like this decorated initial.
The triquetra is often used artistically as a design element when Celtic knotwork is used, especially in association with the modern Celtic nations. The triquetra, also known as a "Irish Trinity Knot", is often found as a design element in popular Irish jewelry such as claddaghs and other wedding or engagement rings.
Aidan Meehan is an Irish artist and author of 18 books on Celtic art and design. [1] [2] including the eight-volume Celtic Design series and Celtic Alphabets, Celtic Borders, The Book of Kells Painting Book, The Lindisfarne Painting Book and Celtic Knots, all published by Thames & Hudson
Celtic button knot – a spherical decorative knot; Chain sinnet – method of shortening a rope or other cable; Chain stitch – a sewing and embroidery technique in which a series of looped stitches form a chain-like pattern; Chair knot (Fireman's chair knot) – knot tied in the bight forming two adjustable, lockable loops
The Victoria and Albert Museum has many examples of Scottish jewellery from the later half of the 19th century, both pebble styles and Celtic designs. [30] The modernist period of jewellery making began in Britain in the 1950s, inspired by the sleek, simple style of Scandinavian designs from earlier in the 20th century. [31]
"Foundation Knot" applies to the interweaving or interlacing which is the basis for many elaborate Celtic designs, and is used in the United States in crochet and macramé patterns. "Imbolo" describes the knot design on the textiles of the Kuba people of Congo. [1]
A Celtic button knot is a stopper knot on a single rope that results in a spherical decorative knot with hair braid / basket weave pattern. It is essentially a single strand Turk's Head Knot that is structured such a way that it is effectively tied around the rope itself, creating a stopper.
Bain was the first artist to analyse and deconstruct the designs found on Pictish sculpture and metalwork, and on illuminated manuscripts such as the Book of Kells and the Lindisfarne Gospels. [6] His book Celtic Art: The Methods of Construction [ 7 ] was published in 1951.
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