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Jazz noir (also known as "doom jazz" or "dark jazz") is noted for its often somber, mysterious or even sinister tone. It takes inspiration from film noir soundtracks and dark ambient music. [4] 1990s -> Nu jazz [5] Music that blends jazz elements with other musical styles, such as funk, soul, electronic dance music, and free improvisation. 1990s ->
For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Easy listening (including mood music [5]) is a popular music genre [6] [7] [8] and radio format that was most popular during the 1950s to the 1970s. [9] It is related to middle of the road (MOR) music [1] and encompasses instrumental recordings of standards, hit songs, non-rock vocals and instrumental covers of selected popular rock songs.
In January 1937, Tommy Dorsey recorded an instrumental jazz arrangement featuring Bunny Berigan on trumpet, which became a jazz standard. [2] [3] Coupled with "Marie", the 78 rpm disc (Victor #25523) was a major hit for Dorsey, containing two of his most enduring recordings on one record, and which helped make him and his band into a household name as a popular music artist in the United States.
(The Center Square) – U.S. Postmaster Louis DeJoy sparred with members of the House Oversight Committee from both sides of the aisle as they questioned the delivery service in their area and the ...
The term was attributed by Jon Hendricks to the jazz critic Leonard Feather to describe the first Lambert, Hendricks, and Ross album, Sing a Song of Basie. [2] Most vocalese lyrics are entirely syllabic, as opposed to melismatic. That may lead to the use of many words sung quickly in a given phrase, especially in the case of bebop.
An elaborate parody appears to be behind an effort to resurrect Enron, the Houston-based energy company that exemplified the worst in American corporate fraud and greed after it went bankrupt in 2001.